The End of the Innocence

One of my classmates did a cool thing the other day: brought a small, flowering branch to our Research and Statistics class. It was from a local bush called Sweet Olive which, he told a couple of us during lunch, blooms during sudden changes in temperature. He said the smell, more intensely than any other sensory data, brings back a childhood of happy time spent outside. That reminded me of Proust’s madeleine—the capacity of scent (and for me, music) not just to evoke, but almost to conjure or reinstate the past. This is why I could never really get into Buddhism; because I find the past to be one of the best things in life. Why try to detach from it? Why not just wallow in it?

I remember returning from class one gloomy October day during my sophomore year of college to find my suitemate, Dawn, sitting alone in the dark, listening to music and weeping. I hope it doesn’t ruin this if I say, the music might have been Journey. I must have attempted to console her; she tried to explain to me that one day, I would understand and even welcome the pleasures of melancholy. I think I may have since taken her message a little too far. She also suggested that I would not always feel the need to hide my long brown hair under a hat—which I did for roughly 3 years of college, either a baseball cap or the soft, velvety winter hat given to me by my grandmother, the queen of hats. She was right about that, too. I probably could have learned more from her; but in her wisdom she soon transferred from Colgate to a much more liberal school in Massachusetts, where people probably understood such things automatically.

Anyway, in the car this morning on the way home from Sara’s daycare—where, when I lingered too long, my child ordered me to “leave, mom!” in a tone that made me flash ahead to her teen years—I heard a Don Henley song on the radio that catapulted me back. I somehow drove home but I was not really aware of my current surroundings. Instead, I was in the summer of 1994 when the man I was in love with (my first requited love, which is a powerful thing) had made me a mix-tape—to take the sting out of the fact that he was spending the summer after our Freshman year strolling around Princeton with his long-term girlfriend, and I was spending it working at Drug Fair and DJ’s Fast Pizza, as well as cleaning the 4 litter boxes in my parents’ basement. (I remember counting down—only 64 more litter boxes before I go back to school...) On lunch breaks from Drug Fair, I sat on the bleachers behind the middle school with my Walkman and listened to the tape, which had on it Henley’s “The End of the Innocence”; “Nights in White Satin” ('Cos I love you, yes I love you, oh how I love you); Simon and Garfunkel’s suicide-inducing “Scarborough Fair”; and the REM song with the refrain I’m SOORREEE… Oh, the drama. I sat out there crying, my headphones sealing me into a private world in which I was the star—not a minor player relegated to ringing up people’s cigarette purchases or sneezing over cat litter boxes. The songs he gave me, while they did not help me to stop imagining him in bed with her, did help restore me to myself, and that was quite a gift.

Hearing that song today, I felt some tears for him (who I am still in touch with, of course, on Facebook); tears I had thought, 16 or so years ago, would never stop. But they did. And that is the real “end of the innocence”: to become aware that it all passes; a well that seemed inexhaustible goes dry. I used to think love meant marriage and a future. Now I know that if love comes into my life, I can’t assume I know what it means. I should just be thankful for its fleeting presence and the enduring sensory traces it leaves behind, the being happy inside the being sad.